Archive for the ‘author conference’ Category

My Sister’s Novel Ideas

Monday, January 14th, 2013
First posted January 11, 2013 on our critique group blog, BooksAroundTheTable.

When I was growing up, I always looked to my oldest sister, Susan, to see what was ahead. Because she played the guitar, I was sure I would someday. Because she went to Prom in a dress with a boned bodice, I was planning on that, too.

sue dance

I am lucky to have her example in this matter of writing as well.

Years ago when I began drafting my present work-in-progress, she sent me a list of ideas about writing a novel. I read it every so often for its distilled wisdom, and want to share it with you, verbatim:

Dear L –

Here’s what helps me most, spewed out in not any order at all:

1. See the story like a movie in your head. Write down what you see, even in a broken way, fast. (Fix later.)

2. See the story like a movie in your head with the sound turned off. Then where is the story? Edit to make the story powerful even with the sound off. This is a way to heal the talking head syndrome.

3. Think: What can I do to raise the stakes?

4. Not everything a writers’ workshop says about your story is right. After being workshopped, put your story away for a time, maybe a month. Reflect. Only then tackle again.

5. Choose concrete words, words that cause the reader to imagine as exactly as possible what you imagine. Look for words which create accurate images which are value-loaded.

6. Leave out everything the reader already knows.

7. The story is in the telling.

8. Run all details through the backpack test. (The idea is from my wonderful teacher Sands Hall: Remember that when you give a significant-feeling detail, the reader packs it into her memory and carries it through the whole story expecting her labor to pay off at some point. You must make sure there is a pay off.)

9. Staying in the same pov, you can roll the ‘camera’ in and out. It’s easier by far to start far out and roll camera in — at beginning of chapter or scene.

10. The end is in the beginning. The seeds of the conflict in the story must be present in the beginning. The beginning is often the last thing you know. Drop into the beginning advertisements for the future — foreshadowing.

11. Tense spots are a good place to dump in necessary history.

12. Dialog should never be people agreeing with each other. If they agree, use indirect discourse.

13. The tone of the story establishes it, creates expectations in the reader, as much as anything else — plot, genre, etc.

14. Henry James: “We only care about people in proportion to how well we know them.”

15. When a character walks into a place, how they see it establishes their character. They walk in with a bag of metaphor.

16. Beginnings: have to give the look of things early, or the reader fills in, and then is unpleasantly surprised to have to repaint the picture. Have to foreshadow the major plot strands, so reader can sense them unconsciously.

17. The end is often the reverse of the initial situation. The best endings are implicit, not explicit. They force the reader back into the story and themselves, looking for meaning.

18. Madeliene L’Engle in Walking on Water, Reflections on Faith and Art: “All they (children) require is a protagonist with whom they can identify (and they prefer a protagonist to be older than they are), an adventure to make them turn the pages, and the making of a decision on the part of the protagonist. We name ourselves by the choices we make, and we help in our own naming by living through the choices, right or wrong, of the heroes and heroines whose stories we read.”

19. There should be something in the near and in the far distance that the protagonist wants (long and short plot strands).

Do you have a copy of Hans Christian Anderson’s fairytales? There is this wonderful fairytale about storytelling, The Elder Tree Mother. Among much else, the Elder Tree Mother, sitting in her elder tree which grows from a teapot says, “For out of the truth grow the most wonderful stories, just as my beautiful elder bush has sprung out of the teapot.” and later, “The little boy lay on his bed and did not know whether he had been dreaming or listening to a story.”

Love,  Susan

 The Treekeepers by Susan McGee Britton, published by Dutton Children’s Books in 2003, is now available electronically: http://www.amazon.com/The-Treekeepers-ebook/dp/B00ANX0TSW/ref=sr_1_2?ie=UTF8&qid=1357792592&sr=8-2&keywords=treekeepers  It is a wonderful fantasy novel about a fierce heroine, Bird, whose life-or-death quest sparkles with ingenuity and wit. And I’m not just saying that because the author is my sister.

Image

Here’s a more recent photo of Susan in her role as Granny Skeeter to Max, Benn and Jake.

This weekend I will be speaking at the Whidbey Island MFA in Writing residency. I plan to share my sister’s wisdom.

The 1,000 Beginnings Project

Thursday, April 5th, 2012
(Originally posted on the faculty blog, Vermont College of Fine Arts, MFA program in Writing for Children and Young Adults,
 http://writeatyourownrisk.posterous.com/)

 

I spent four days in Mount Vernon, WA, last week, speaking to students at a Young Authors Conference; three talks a day, a hundred second- through sixth-graders plus their adult group leaders per talk. This allowed me to gather almost one thousand tiny writing samples, one thousand opening sentences of personal narratives.

I was curious to discover what this collection of stickyback strips might say about these writers and their lives. After much shuffling, the majority seemed to fall into the following groups: family stories, 133, (includes moving, 14, and new siblings, 15); pet stories, 97; weather, 89; vacation stories, 76, (15 mention Disneyland and four begin, “Are we there yet?”); sports stories, 65, (includes 11 about swimming); friends stories, 64, (18 about new friends); injury stories, 55; action/adventure/scary stories, 53; stories seemingly related to stories I told in my presentation, 33, (yes, I love how sticky stories are); country life stories, (hiking, fishing, riding horses and three-wheeled vehicles), 16; Young Authors event stories, 11; birthdays, 4.

Before we brainstormed, I talked about how we connect to our readers through the emotion of a story. I encouraged kids to write about a memory that held strong emotion and they responded with an emotional rainbow: sad stories about lost or dying pets, or, saddest of all, a dad in jail; the thrill of a trip to Disneyland, making a new friend, getting a new sibling, sailing down a ski slope.

There were openers that tugged at my heart, like: “One summer day, my dad left for Afghanistan because he was in the Navy.” Or, in a very cramped printing, “The path I’ve gone through is unbearable. But the path only makes me stronger.” I always admire a writer who can put his truth on the page, but I hate that kids have such hard stuff to deal with.

On a lighter note, despite drizzling rain all week, more than 15 percent of these Northwest kids included the sun or a warm day in their opening sentence.

Here are some of my favorites, with attribution when available.

  • It all started with the Batman pajamas.
  • Having bloody noses is not the best way to spend a whole summer.
  • There was a time, there was a time where everything was perfect in my life.
  • “You get the shovel, I have the rake,” said Chuck. “We will meet in the woods.” – Ethan
  • “Molly! Look!” I whipped my head around and saw five dorsal fins poking out of the water.
  • Chris liked birds. He liked robins, ducks, swans and bluejays.
  • It was cold but I still took hold of the K.G.M.I. banner for St. Paddy’s Day. – Maddie
  • Over the gleaming river, it seemed that nothing would ever happen that could be bad.
  • Me and Grandma was sitting still in a boat fishing. – Tessa
  • Rose was lying on the trampoline staring at the blue sky when she heard some giggles. – Lilly
  • The rain pounded down on the backs of the weary travelers.
  • My name is Larry and I am a tornado watcher. – Keaton
  • The happiest day of my life was when I knew about dinosaurs. The first dino I knew about was triceratops.
  • My dad drove up to a house and two people walked out wearing Groucho Marx glasses. I didn’t know they would become my two favorite relatives.
  • “No! I don’t want to take a bath,” I yelled.
  • “What was the last thing you said to Grandma?” asked Mom.
  • “Dad, Dad. No not that. I told you to play a music video, not home videos. You are the most embarrassing dad in the history of embarrassing dads.” – Carsin
  • The bell sounded. Everyone ran. I lined up. I saw the smoke flying off the top of the school.
  • I looked about the room. I hadn’t seen so many boxes since Christmas.
  • “You are going to have a brother,” Da said. “But I want a kitten,” Kyra cried.
  • I cannot believe my hamster teddy – a grey dwarf hamster with a white stripe down his back – died.
  • How can I get out of this cage thought Chewy?
  • I was looking at the thousands of sad-seeming cats at the shelter, when I saw an almost familiar looking, smokey-grey cat. – Gilly
  • Really, only Alexa was going through the Young Authors conference since Juliya had been snoring most of the time. – Alexa

I want to end this post with a shout out to Marie Weltz who has worked on this conference for each of its 20 years. She celebrated her 80th birthday Thursday. Think of all the young writers who have been inspired by her efforts. The conference is sponsored by the NW Educational Service District and Skagit Valley College. The kids come from 40 elementary schools, including public and parochial, private and home schools. Each attended a workshop with an author and a workshop with an illustrator and my presentation. They also had an hour where they met with students from other schools and shared the manuscripts they’d brought along. Though Marie is stepping down this year as head, her legacy will live on.

Meanwhile, when I need an idea for a new beginning, I know where to look.


Bio | Books | Programs | Journal | Fun & Games | Contact | Home
Copyright © Laura McGee Kvasnosky 2008-Present